Berkeley Big Bang 08, Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley. By using this site, you consent to our use of cookies. Escaping the Digital Unease!, Kunsthaus Langenthal, Switzerland. Traveled to the KW Institute for Contemporary Art, Berlin May 2017–April 2018. About Held both at 6 Burlington Gardens and online at pacegallery.com, Bloom explores Paglen’s central themes of artificial intelligence, the politics of images, facial recognition technologies, and alternative futures. Trevor Paglen: Sites Unseen will open on 21 June 2018 at the Smithsonian American Art Museum in Washington, D.C., and will last until 6 June 2019. (catalogue). (Catalogue), Trevor Paglen: From ‘Apple’ to ‘Anomaly,’ (Pictures and Labels) Selections from the ImageNet dataset for object recognition, The Curve, Barbican Centre, London, September 26, 2019–February 16, 2020. Magical Consciousness, Arnolfini, Bristol, United Kingdom. This simplification means that the system is largely rendered invisible. Courtesy Trevor Paglen and Pace Gallery In his “CLOUD” series (2019), Paglen uses algorithms to analyze transcendental photos of the sky; he has continued exploring this technique … Through image making, sculpture, investigative journalism, writing and more, he reveals the darker underpinnings of the digital landscape – from mass surveillance to data collection and AI. (Catalogue), Trevor Paglen: Sites Unseen, Smithsonian American Art Museum, Washington, D.C., June 21, 2018–January 6, 2019. Trevor Paglen: Bloom, Pace Gallery, 6 Burlington Gardens, London, September 10–November 10, 2020. The Electric Comma, V-A-C Foundation, Palazzo delle Zattere, Venice. I have already witnessed first-hand the gallery’s global reach and their commitment to artists through our project together in Geneva last year. A New Ballardian Vision, Metro Pictures, New York. Taking centre stage in the exhibition is The Standard Head, a large-scale reconstruction of the 1960’s mathematical model of a “standard head” by the pioneering researcher funded by the CIA, Woody Bledsoe. Operation How, Now, Wow, 16 Beaver Space, New York. Available for sale from Pace Gallery, Trevor Paglen, AC (2020), Pigment on textile, 49.8 × 49.8 × 3.8 cm (catalogue). This is Pace’s second exhibition with the artist. The clandestine and the hidden are revealed in series such as The Black Sites, The Other Night Sky, and Limit Telephotography in which the limits of vision are explored through the histories of landscape photography, abstraction, Romanticism, and technology. Traveled to: Ujazdowski Castle Centre for Contemporary Art, Warsaw. A l’heure où tout devient sujet au « cyber » - cyberculture, cyber infomatisation, cyber technologie, ou sujet de « data », Trevor Paglen, choisit comme de nombreux artistes contemporains de s’appuyer sur la science, principalement, pour créer et s’engager. This simplification … Trevor Paglen (b. Paglen addresses how the work's themes of mortality, the fragility of life, and the vanity of worldly pleasures are a reaction and response to the current moment and the shared experiences from the COVID-19 pandemic. Here We Are Today, Bucerius Kunst Forum, Hamburg. In February this year, Trevor Paglen thought he had finished preparing his exhibition, Bloom, showing at Pace Gallery in London (10 September–10 November 2020). The colours and shapes in the images represent similar areas that the AI has detected in learning from other images of flowers. He grew up on bases in the USA and Germany. Under the Clouds: From Paranoia to the Digital Sublime, Museu de Arte Contemporânea, Porto, Portugal. Pace is pleased to return to its physical space with an exhibition of new works by American artist Trevor Paglen. Dataesthetics Reloaded, Galerija Nova, Zagreb, Croatia. Thought Crimes: The Art of Subversion, Diverse Works, Houston. Everything is Connected: Art and Conspiracy, The Met Breuer, New York. Social Ecologies, Rail Curatorial Projects at Industry City, Brooklyn. Courtesy of the Artist and Pace Gallery Trevor Paglen’s Three Remarkable Shows. Held both at 6 Burlington Gardens and on the gallery’s digital platform, Bloom explores Paglen’s central themes of artificial intelligence, the politics of images, facial recognition technologies, and alternative futures. Illegal, Luggage Store Gallery, San Francisco. Red Thread, TANAS - Space for Contemporary Turkish Art, Berlin. I have already witnessed first-hand the gallery’s global reach and their commitment to artists through our project together in Geneva last year. 2008 Taipei Biennial, Taipei Fine Arts Museum, Taiwan. In September 2020, Pace Gallery in London held an exhibition of Trevor Paglen's work, exploring 'the weird, partial ways computers look back at us'. Trevor Paglen, Metro Pictures, New York, February 7–March 9, 2013. Artificial intelligence algorithms are designed and trained to look for faces, unique key points, lines, circles, and areas of interest as they attempt to deconstruct the underlying reality into a more simplified series of sections or shapes. Trevor Paglen présente douze photographies à la Pace Gallery, The Shape of Clouds. Octopus (2020) allows visitors from across the globe to virtually experience the London exhibition through a live web portal connected to cameras placed in the gallery. Trevor Paglen: How Deep Is the Ocean, How High Is the Sky, Fotograf Gallery, Prague, October 6–November 4, 2017. Science Fiction, Onassis Cultural Center, Athens. Schritte ins Verborgene = Steps into the arcane, Kunstmuseum Thrugau, Warth, Switzerland. Nothing to Hide? But after Covid-19 remade the world, the show had to change. #1: Cartagena Biennial, Cartagena de Indias, Colombia. Trevor Paglen, Galerie Thomas Zander, Cologne, March 21–June 13, 2009. En Liang Khong Features 10 September 2020 ArtReview. Art in the Age of the Internet, 1989 to Today, Institute of Contemporary Art, Boston. Dallas Contemporary Presents "Paolo Roversi: Birds", Sam Gilliam's Latest: A Roundtable Conversation, Barbican Presents "Jean Dubuffet: Brutal Beauty", Elmgreen & Dragset's "The Hive" at the Moynihan Train Hall, 69" × 92" (175.3 cm × 233.7 cm) The Moon: From Inner Worlds to Outer Space, Henie Onstad Kunstsenter, Høvikodden, Norway. Die Wolken und die Wolke (The Clouds and the Cloud), Museum für Gegenwartskunst Siegen, Siegen University, Germany, September 4, 2020–January 10, 2021. Fractured Narratives: A Strategy to Engage, Cornell Fine Arts Museum, Rollins College, Winter Park, Florida. Art in the Age of Truthiness, SITE Santa Fe. By Trevor Paglen Sep 10, 2020. Anamericana, American Academy in Rome and DEPART Foundation, Rome. Trevor Paglen, Secession, Vienna, November 26, 2010–February 13, 2011. In contrast to the vanitas paintings of the 15th and 16th centuries, Paglen plays with these symbolic tropes, bringing them into the present day and addressing new measures of mortality in the digital era such as Zoom, AI, policing and even such threats as COVID-19. Bloom. Pace returns to its physical space with an exhibition of new works by American artist Trevor Paglen. From Counterculture to Cyberculture, Altman Siegel, San Francisco. Among his chief concerns are learning how to see the historical moment we live in and developing the means to imagine alternative futures. (b. Trevor Paglen, American University Museum, Katzen Arts Center, Washington, D.C. Trevor Paglen: Hidden Landscape, Aksioma, Ljubljana, Slovenia, April 4–22, 2011. California Invitational, Museum of Photographic Arts, San Diego. Anytime Anywhere Everything, Galerie Sprüth Magers, Berlin. Octopus provides virtual access to new art experiences, while also commenting on the issues of access, consent, and surveillance that are profoundly impacting this new hyper-mediated reality. Trevor Paglen: Orbital Reflector, Nevada Museum of Art, Reno, April 29, 2016–May 12, 2019. Traveled to: Miller Gallery, Carnegie Mellon University, Pittsburgh, Pennsylvania and the Colby College Museum of Art, Waterville, Maine. Political Populism, Kunsthalle Wien Museumsquartier, Vienna. 2019. What Keeps Mankind Alive?, 11th International Istanbul Biennial, Antrepo No.3, Turkey. 73-3/16" × 57-3/16" × 2-9/16" (185.9 cm × 145.3 cm × 6.5 cm), framed, 48" × 48" (121.9 cm × 121.9 cm) Tom Seymour. In February this year, Trevor Paglen thought he had finished preparing his exhibition, Bloom, showing at Pace Gallery in London (10 September–10 November 2020). The World As Prison?, Museo nazionale delle arti del XXI secolo, Rome. Embedded in the work is a critical dialogue on the nature of how we use media and technology and how it impacts the way we see and are seen. Trevor Paglen explore des thèmes aussi complexes que la surveillance de masse, l’intelligence artificielle et les futurs alternatifs. (catalogue). 26-3/4" × 20-1/4" × 1-1/2" (67.9 cm × 51.4 cm × 3.8 cm), framed, 22" × 18" (55.9 cm × 45.7 cm) Vivid renderings of blossoming flowers, which compose a centrepiece of the show alongside sculptures, drawings and digital components, may lead one to think otherwise, but that would be wrong. Extra States: Nations in Liquidation, Kunsthal Extra City, Antwerp. Trevor Paglen: The Octopus, Frankfurter Kunstverein, Germany, June 20–August 30, 2015. Trevor Paglen: The Other Night Sky, Kunsthall Oslo, November 5–December 3, 2010. (Out of) Control, 7th International Biennial of Photography and Visual Arts, Liège, Belgium. This website uses cookies to offer you a better browsing experience. Trevor Paglen’s new show at London’s Pace Gallery, the Bloom Series, explores the themes of artificial intelligence, facial recognition, politics of images, and how computer systems interpret the complexity of life. Trevor Paglen, Galerie Thomas Zander, Cologne, September 06–November 02, 2013. Crimes of Omission, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania. The project is a provocation, acting as a window into some of the racist, misogynistic, cruel, non-scientific, controversial, and simply absurd categorisations embedded within ImageNet and other training sets that AI models are built upon. Conceived from the average measurements of the faces Bledsoe experimented with, Paglen reconstructed the “standard head” from rare information left behind in Bledsoe’s archives at the University of Texas. A former prison-rights activist, Paglen's photographs often depict classified military activity. To See Without Being Seen: Contemporary Art and Drone Warfare, Mildred Lane Kemper Art Museum, Washington University, St. Louis, Missouri. Conspire, Transmediale 2008, Haus der Kulturen der Welt, Berlin. Desert Secrets, Utah Museum of Fine Art, Salt Lake City. The Eight Climate: What Does Art Do,” 11th Gwangju Biennale, South Korea. In a series of pen-on-paper drawings, Paglen shows how complex images are “abstracted” into much simpler versions in computer vision systems, drawing parallels between computer vision systems and Constructivist and Cubist ways of seeing. [Control] No Control, 7th Triennale der Photographie Hamburg, Hamburger Kunsthalle. By using this site, you consent to our use of cookies. Hear Trevor Paglen discuss his latest body of work in this new talk . Nina Beier, Judith Hopf, John Miller, Trevor Paglen, Halsey McKey Gallery, East Hampton, New York. 25-9/16" × 20-1/2" × 1-1/2" (64.9 cm × 52.1 cm × 3.8 cm), framed, 72" × 56" (182.9 cm × 142.2 cm) Off the Grid, Neuberger Museum of Art, State University of New York at Purchase, New York. The exhibition follows Paglen’s installation From ‘Apple’ to ‘Anomaly’, presented at the Barbican Curve from September 2019 to February 2020 and Training Humans, an exhibition of Paglen’s works with Kate Crawford presented at the Prada Foundation, Milan from September 2019 to February 2020. Object Fictions, James Cohan Gallery, New York. Electronic Superhighway (2016-1966), Whitechapel Gallery, London. Trevor Paglen was born in 1974 in Maryland, and his wide-ranging work includes sculpture, journalism, and engineering as well as image-making. Share; Tweet; Advertisement. He has participated in group exhibitions at the San Francisco Museum of Modern Art (2008, 2010, 2018); Museo Nacional Centro de Arte Reina Sofía, Madrid (2014); The Metropolitan Museum of Art, New York (2012); Tate Modern, London (2010), and numerous other institutions. Bloom. Smithsonian American Art Museum, Washington, D.C. Utah Museum of Fine Arts, The University of Utah, Salt Lake City, Victoria and Albert Museum, London, United Kingdom. 55-1/8" × 41-5/8" × 2" (140 cm × 105.7 cm × 5.1 cm), framed, 26" × 19-1/2" (66 cm × 49.5 cm) Pace is a leading contemporary art gallery representing the most significant artists and estate of the 20th and 21st centuries. The Planetary Garden, Manifesta 12, Palazzo Ajutamicristo, Palermo. Paglen’s new interactive live-stream work Octopus (2020) responds to the current moment where periods of isolation, distance, and limitations on travel impact the way society works, interacts with each other, and experiences art. This is "Trevor Paglen Pace" by Art Fix on Vimeo, the home for high quality videos and the people who love them. From close-ups of individual artworks at unexpected angles to wide frames of the room that allow online participants to watch visitors seeing the work in person, the view of the exhibition via webcam offers an uncanny experience between observation and surveillance. 18th September 2020 16:58 GMT. Stars: Cosmic art from 1900 to today, Lentos Kunstmuseum Linz, Austria. (catalogue). Artist Sammy Baloji on Colonial Legacies, New Stories and Creating the Lubumbashi Biennale … Disappeared, Goff and Rosenthal, New York. Trevor Paglen, says: “It is wonderful to be joining Pace at this exciting moment in its evolution. FEEDFORWARD - The Angel of History, Laboral Art Center, Gijon, Spain. Trevor Paglen: Surveillance States, Prefix Institute of Contemporary Art, Toronto, May 4–June 16, 2018. A Universe We Can Believe In, Oliver Art Center, California College of the Arts, Oakland. Weather Permitting, 9th Bienal do Mercosul, Porto Alegre, Brazil. POW!, California College of Arts and Crafts, San Francisco. Road to Nowhere, FotoFest 2010 Biennial, Houston. Age of Terror: Art since 9/11, Imperial War Museum, London. Trace Recordings, UTS Gallery, University of Technology, Sydney. Time/Image, Blaffer Art Museum, University of Houston. 70-1/8" × 93-1/8" × 2" (178.1 cm × 236.5 cm × 5.1 cm), framed, 54" × 40-1/2" (137.2 cm × 102.9 cm) 23rd Photobiennale: Capital Realism, Museum of Photography Thessaloniki, Greece. Rethinking Location. Traveled to: University of Michigan Museum of Art, Ann Arbor. Plug and Play, Artswatch, Louisville, Kentucky. Julieta Aranda: Ghost Nets, Galería OMR, Mexico City. Technology is seductive. (catalogue). Architecture of Fear, Z33, Hasselt, Belgium. Pace London is pleased to return to its physical space with an exhibition of new works by American artist Trevor Paglen. The Art of War, CEPA Gallery, Buffalo, New York. Trevor Paglen, Salina Art Center, Kansas, 2001. Traveled to: Cooper-Hewitt, National Design Museum, Governors Island, New York; Hammer Museum, Los Angeles; Grand Rapids Art Museum and Kendall College of Art Gallery, Michigan; Contemporary Arts Museum Houston; Southeastern Center for Contemporary Art , Winston-Salem, North Carolina; and Rhode Island School of Design, Providence. Entangled Realities: Living with Artificial Intelligence, Haus der elektronischen Künste Basel. coincides with two solo exhibitions presented at The Carnegie Museum of Art, Pittsburgh (Sep 4, 2020 – Mar 14, 2021) and at OGR Turin (Oct 10, 2020 – Jan 10, 2021). Trevor Paglen, Metro Pictures, New York, September 10–October 24, 2015. Bloom (#5f5554), Trevor Paglen, 2020, c/o Pace Gallery Art gallery behemoth Pace will host Trevor Paglen in London this September, with a new exhibition entitled Bloom. Trevor Paglen: A Study of Invisible Images, Metro Pictures, New York, September 8–October 21, 2017. 1974) is an American artist examining the systems and technologies that shape our world. Trevor Paglen: Autonomy Cube, Tensta Konsthall, Spånga, Sweden, February 1–May 7, 2017. New Order: Art and Technology in the Twenty-First Century, Museum of Modern Art, New York. Dizziness, Navigating the Unknown, Kunsthaus Graz, Austria. The Automated Image, Le Mois de la Photo à Montréal. From a distance, these works give the appearances of subtle lines of colour fields reminiscent of Agnes Martin’s abstract paintings. Previous series have featured a National Security Agency's eavesdropping complex, an Israeli nuclear weapons facility and a secret CIA prison. The Spectacle of War, The Empty Quarter, Dubai. Wild Sky, Edith-Ruß-Haus, Oldenburg, Germany. California and the West: Photography from the Campaign for Art, San Francisco Museum of Modern Art. Available for sale from Pace Gallery, Trevor Paglen, The Model (Personality) (2020), Silver-plated bronze, 18.4 × 18.1 × 13.7 cm Un saber realmente útil, Museo Reina Sofia, Madrid. Visual Arts, Appalachian State University, Boone, North Carolina. Nothing Stable Under Heaven, San Francisco Museum of Modern Art. When Facts Don’t Matter, Lismore Castle Arts, Waterford, Ireland. A Different Kind of Order: The ICP Triennial, International Center of Photography, New York. Im Zweifel für den Zweifel, NRW Forum Wirtschaft und Kultur, Düsseldorf, Germany. Digital Archives, Kunstverein Hannover, Germany. Available for sale from Pace Gallery, Trevor Paglen, Bloom (#79655d) (2020), Dye sublimation print, 51.4 × 68 × 3.8 cm Artes Mundi 8, National Museum Cardiff, Wales. The New Alphabet – Opening Days, Haus der Kulturen der Welt, Berlin. Photograph: Paglen Studio/Trevor Paglen, courtesy the artist and Pace Gallery But he is just showing the truth. 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